Richard Marx Shares How After Hours Album Came to Be with Help from Rod Stewart, Wife Daisy Fuentes and His Late Dad (exclusive)

Richard Marx’s “After Hours”: A Musical Journey Through the Great American Songbook

Richard Marx, the prolific singer-songwriter known for hits like “Right Here Waiting” and “Endless Summer Nights,” has released his new album After Hours. This project is a love letter to the classic hits of the Great American Songbook that shaped his early musical identity.

The entire album was recorded live in the studio, which Marx admits was “scary and intimidating” but ultimately rewarding. “I’m a guy who’s just intent upon squeezing every drop of juice out of this ride,” he says, emphasizing his dedication to the project.

From Ballads to Big Band

Marx explains that the album’s big band-era sound was one of his top motivations. “That was really one of the top three motivations, was to just make a record that people could put on when they’re cooking or when they’re having a drink or they’re just chilling out on a Sunday afternoon,” he shares.

He adds, “I wrote almost all of the songs on this album on a long hike or walk. It’s a daily occurrence for me.” This approach allowed him to find inspiration in nature and translate it into music that resonates with listeners.

A Collaborative Effort

The new album features contributions from notable musicians such as Rod Stewart, Chris Botti, Kenny G, and John Stamos. “Having him play a solo on the record was incredibly wonderful and a gift,” Marx says of working with Chris Botti. The inclusion of these artists adds a layer of depth to the project, blending classic styles with contemporary flair.

Marrying his wife Daisy Fuentes’ tango-inspired song “Magic Hour” was particularly special. “I took a long walk one day in my neighborhood and thought, ‘I love the song ‘Sway’ that Dean Martin did, and Bublé’s version is great, but I feel like it’s just so been done.’ So I thought, ‘I want to write a song that fits that,’” Marx explains. The couple’s collaborative effort resulted in a unique piece of music that showcases their partnership both on stage and off.

Reflecting on Career

Marrying his wife Daisy Fuentes’ tango-inspired song “Magic Hour” was a collaborative effort, with her coming up with lyrics during a beach visit. This story underscores the importance of creativity and support in a musical relationship, highlighting how personal experiences can inspire meaningful work.

Reflecting on his career, Marx notes that being typecast as a balladeer early in his career helped him embrace different musical styles. “I’ve always considered myself a rock singer and rock writer,” he says, adding, “Over time I started to go, ‘Well okay, it’s not just me.’ And then with age comes, if you’re lucky, who cares? My life is great.” His perspective on career evolution offers valuable insight for musicians navigating the industry.

Marx’s album After Hours marks a significant return to his roots, blending classic hits with fresh interpretations and collaborations.

The result is a vibrant collection that honors the past while embracing the present, making it an essential listen for fans of both old and new music lovers.

Rod Stewart’s involvement on the album adds an additional layer of nostalgia and authenticity to Marx’s project. “I’m a lifelong, massive Rod fan,” says Marx, adding that their collaboration on the song “Young at Heart” was particularly meaningful. “The fact that I finally got to collaborate with my hero… I adore him,” he concludes.

Marrying his personal experiences and professional achievements, After Hours is more than just a collection of songs; it’s a testament to Marx’s enduring passion for music and his commitment to creating meaningful work. With its blend of classic hits and fresh interpretations, the album invites listeners on a journey through time, celebrating the best of American songwriting.

Richard Marx with his three sons and wife Daisy Fuentes. Richard Marx/Facebook